Pi Day! The Ultimate Pi Day of the Century.

Ooo... such a beautiful sequence of numbers this is! Today is the day that Pi and time collide and for an infinitesimally long bit Pi is repeated forever...
At least in the artificial construct we call time. All I know is that we don't have enough of it. Even Elder Spawn got to experience little of the small death known as sleep this week with homework and rehearsals. She is a number fanatic and obsesses about sequences, but is opting to sleep in. We have another chance in the PM, but we will be watching Joshua Bell from the third row center at the Kauffman Center.We could be on a cruise ship full of Spring Break extroverts instead. Nah.

 I know a lawyer who memorized Pi out to 2,000 places, backwards and forwards. I'm consistently remember 3.14. But for today, we can contemplate the great beyond:
3.141592665335989793238462 etc.

Thanks for geeking out with me!

An Olivetti Lettera 22 with Scriptin' Style!

Greetings from the new arrival in the House Full of Nerds! Pistachio isn't just a an Olivetti 22; it has a variation of the curly script typeface that sometimes (rarely) appears on Olivetti and Smith-Corona typewriters. For Typospherians with typeface fetishes, this is one of those objects of desire. Pistachio is even one scarcer colors found on Olivetti machines in the wild.

Pistachio with a friend who has just been serviced. That Groma is one light and snappy machine! It isn't quite as hyper as an Olympia or Topedo, but it is really nice to type on. Boring typeface, though ;-)

After several years of searching and bidding in vain, I happened upon a Smith-Corona Silent Super and then this lovely machine within months of each other as Buy it Now items on ebay. Before I go any further, let's jump straight to the typeface samples. In order of appearance: Lettera 22, Silent Super, Olympia SM-9, and a Torpedo 18.

I was fortunate that Pistachio was in generally good condition and fully operable. The seller double boxed it as requested and Fed-Ex did its thing without maiming or destruction. I opened it up, lubed everything I could, washed and bleached the shell, put on a new generic ribbon on the original spools, and cleaned the type slugs with mineral spirits and a toothbrush. PB Blaster is a miracle lube, but curiously I find this Italian machine to be more responsive than the first year of production British Lettera 22. It still requires a light, fast stroke, but the strikes seem to be easier and more consistent. This is a good thing as I need to type more. So busy I have been.

Olivettis of feather, flock together!

Olivetti industrial design is so clean and seemingly uncomplicated. The details make a huge difference, however. Not having flattened rollers is kinda awesome. The rail and tab stop mechanisms are elegant works of art.

I love the view under the hood. The original ribbon spools are super cool. The outer shell took a bit of abuse sometime in the last 50+ years with the front, right screw tab broken off. Crazy glue seems to be holding it together.

Any chance of figuring out the year of manufacture in Italy?

And here it is with the kissing cousin from Glasgow.

For any of you typewriter nerds who enjoy a mystery (I'm thinking of Ted Munk, Ton, and Richard Polt), here is the Glasgow machine's serial number in all of its confounding glory. I have yet to find an image of another Lettera with an embossed paper table.

I'm sure there are more examples that I just can't remember at the moment. Tom Furrier at Cambridge Typewriter Works recently serviced a machine identical to my Smith-Corona. Natalie at natslaptaps has a beautiful coral color L22 with the exact same script.  If are having a hankering for a cursive typeface overdose, Notagain at Manual Entry has what you are looking for.

For anyone curious, all of these images were captured with my Fuji X-T1 and the native 35mm f1.4 lens. Lacking ambient light, these out of camera JPEG images pretty well nail white balance with a mix of halogen and fluorescent lighting on the work bench. My G+ stream is here.

As always, thanks for stopping by! I'm glad to be giving this blog a pulse again, but that is partly because I have been procrastinating on a Google+ photography challenge due at the end of the week. And silly me; I saw some really great toy images from people I follow and signed up for yet another challenge series. At least the hours and hours of darkness in winter are keeping me inside. There is that.

A note about Copyright: Yes, I am greedy. These are my copyrighted images and are not to be used without attribution and never in a commercial context without my express permission. Yes, this is the Interweb and anything can be copied. No, that does not make these the property of the world. Share the love and share the full post. The Interweb will be a better place for it. Be warned: I do have enforcers who will take matters into their own claws as necessary.

A member of the Brute Squad. You were warned ;-)

 

Funky Script of the Day

A new typewriter arrived yesterday and is currently on the bench for cleaning and adjustment. Would anyone care to guess the make and model? Anyone? Anyone?

Captured with a Fuji X-T1 + Pentax Macro Takumar 50mm f4 + Baveyes focal booster. Out of camera JPG

Analog Awesome in the Mail! (And randomish things)

Today I received the most amazing bit of analog awesome in the mail with an exhortation to seek the solace of the type bar and platen. And so I did, with a recently acquired Smith Corona Silent Super. The loop script looks fabulous with NOS silk ribbon I found at an estate sale last month. First, the card:

Nerdgasm! Photography and typewriters in one bit of awesome.

Thanks to the mysterious Typospherian from the Phoenix area who inspired me to do a first run with the new ribbon. This photo is going on the pin board in my office at work.

Yep, I finally got one! It showed up BIN on ebay and had been sitting there for two days. Maybe I will get lucky on the last Holy Grail Fractur machine. Or I will win the lottery.

This blog has been sadly neglected as I post my photography on Google+. The hit counts are based on some assumptions that only Google's data geeks understand. I assume that anytime an image is clicked on that counts and perhaps being refreshed inside a community does as well. Either way, last night when a number appeared on my profile page I was just shy of 2,000,000 views. It is only a digital ghost town to those who do not post and interact.

Interestingly enough, a Polaroid connection is one of the things that has kept me busy was attending and participating on a panel at the BuildWell 2014 conference located at the base of the Golden Gate Bridge. The keynote speaker was John Warner of the Warner Babcock Institute for Green Chemistry. His career as a rock star chemist started with improving process and chemistry for Polaroid.

Normally, sustainable building policy is hatched in never-ending meetings in dark and poorly ventilated conference hotel spaces. This conference was an exception to the rule.

Everything is still brown and dead in Kansas. I hate/envy Californians.

It was a whirlwind trip featuring a loud and nasty turboprop to Denver and an unexpected Japanese toy exhibit inside the San Francisco airport. I had trouble leaving and took plenty of photos with my new traveling companion, the Fujifilm X100. Here are a few samples. There are more images on my G+ collection. San Francisco 2014

Hello, spinning blade of death! United did a bait and switch and changed planes from a regional jet to 1940s turboprop technology. The view was cool, though.

Kitty exercises mind control. All shall walk like her. Obey the Kitty.

Fly the friendly skies! These carnival ride parts might be better than a United regional plane. They might be better with luggage. My bag took more abuse in one round trip than in 30+ before.

Pay no attention to the robot army. Robots are your friends. Mostly.

Me, after United delays and crap planes arriving eleven hours after leaving home in Kansas City. I will avoid United like the plague if at all possible. Live trips will be replaced with webinars and Hangouts given the sorry state of air transport in general.

Well, this entry took a couple of unanticipated twists. It was good to bring the blog back to life. I am lurking on the Typosphere. Busy is a regular state of being with two teens and work. Teen one will start the college search next year. Life just blurs along and I shoot street and candid because it makes me happy.

Thanks for reading!

Obligatory Copyright statement: The words and images here are mine and mine alone. Please share the Google love by resharing, +1s, comments and linkage. Image borrowing without attribution is stealing. Beyond digital copyright issues, I has friends among the giant robots and Kaiju. You have been warned.

Natalie's Amazing Postcard!

Back on January 31st, Natalie of natslaptaps ran a postcard contest. For a measly email, entrants would have the chance to win a genuine, built-by-hand postcard featuring her new "loopy script" Olivetti, Coraline. Unfortunately for Natalie, and fortunately for me, no one was paying attention and I won a postcard!

But people of the Typosphere, let it be known that Natalie does not do run-of-the-mill postcards. Nope, not by a long shot. Behold this fabulous creation...

A photo or scan cannot do this justice. This is all hand cut and pasted paper under laminate. The script on the bottom is courtesy of Coraline.

But that is not all. Oh, no. This postcard has a backside that folds out just so with a full type sample!

Postmarked on February 8th, this bit of mail considerably improved my mood when it arrived on March 1st soon after the second Kansas City blizzard in a week. Perhaps Australian post was slow, or perhaps the envelope spent some time in the sun before traveling to less hospitable climes.

Natalie, thanks for the awesomeness! You must let me know which obscure typeface you want a sample of.  The IBM Executive lives in the open and is ready to type. It's too big to stash. There is the perky italic of the Olympia SM-3. The funky Royal script machine likes to show off. I'm very close to having an Apothecary keyboard machine in running condition. So many sumptuous choices; which one shall it be?

As for the Typosphere, the first two people to read this and reply in the comment section will win a vintage postcard with one of the interesting typefaces listed above. One catch: You must share which typewriter typeface is your personal favorite.

I don't have Natalie's artistic skills, but I have machines and I will use them. Comments are moderated, so enter early and often!

Yet another Copyright Notice: Um, this time I do not own the copyright to anything but the words in this post. The postcard, front and back, is marked Copyright by Natalie, 2013.  Show a little love for her paper craft and link back to her blog.

Rhinos Love Torpedo 18 Typewriters!

Rhinos also love rare shafts of winter morning sunlight.  But, they practically swoon over Torpedo 18 typewriters.  What isn't too love?  The action is light and snappy.  The generic European cursive typeface is very attractive.  And besides, Torpedos often come in colors that help the mighty rhino hide from potential predators.


This is a curious feature of most of my cursive/script typewriters:  they come in really odd and/or boring color combinations.  The Royal Futura has an amazing typeface and is two shades of Borg grey.  Almost all Facits are Viking gray, but it is a most boring color for a script machine.  The Olympia SM-9 comes in off-white with the dark grey keys.



Could it be that script machine users were trying to keep a low profile?  Who knows.

I actually considered repainting the top of this machine.  The color scheme, however, is growing on me.  It reminds me of a mid-fifties car.  Note the missing tab keys that would come with the 18B model.



This is a great correspondence typing machine.  It came by way of ebay last year.  The special paper is from a test series Claire ran on her Christmas Sharpies.  She has a routine for testing new pens and pencils.  The photos were taken with my new Sony NEX-6.  Yes, I am in love with this camera!

Thanks for reading!

Thoughts on Greenbuild 2012 and San Francisco

Welcome to my post Greenbuild 2012 blog entry!  Scroll on down for the typecast...

This is probably the most touristy thing I took a photo of other than looking back on the Ferry Building from an adjacent pier.

This hybrid Fisker Karma is about 3,000 times cooler than my hybrid Prius.  Maybe I should buy a lottery ticket.

This is USGBC Founder and CEO Rick Fedrizzi delivering a message to the anti-LEED lobby during the Opening Plenary session.  I work for a construction product company, but I also help write and maintain LEED.  Politics is a complicated beast.

Fast forward from Tuesday to Friday for the Closing Plenary.  That statistic on the screen is accurate: the entire number of volunteer hours that have gone into building and curating Wikipedia are equal to three weeks of Angry Birds play.  This statistic makes me a bit more prone to be focused on life and learning.

The Closing Plenary was a bit more dynamic than last year's, but they all tend to seem long after several days and nights of sessions and receptions.  The speaker, Jane McGonigal, is a TED favorite.  She presented a variation of her TED talk on harnessing the problem solving and creativity of gamers to crowd source solutions to difficult problems.

The next speaker is a prominent architect and proponent of regenerative design, William McDonough. Among others, his most widely known project is the redesign of the Ford Rouge Truck Plant.  From the perspective of moving towards a Net Zero future, he raised the fundamental question of "What's Next?"

William McDonough has very strong opinions on materials in design.  His consulting group has worked with a number of Fortune 500 companies.  His TED talk tracks many of the concepts brought forth at Greenbuild.

This cursive typeface is unique to Royal portables from the 1960s.  Mine is a grey on grey Futura 800/

And the last Greenbuild related photo below is the view from the Google Green Team lair.  The food was fabulous as well.

Here are a few scenes from around San Francisco.  For anyone who is curious, all shots were taken with a Sony NEX-3 with the kit lens or 16mm f2.8 pancake lens.  Many of the street photos were taken by pointing the camera in the right direction without looking at the view screen.  The auto-focus is quick enough to shoot from the hip and capture casual scenes.

Public skating rink at Union Square.  The sight of palm trees and a giant Christmas tree together was only a little disconcerting.

The homeless fleet massing across from the Ferry Building.  In my limited experience, I found the panhandlers to be far less aggressive here than in Atlanta, Chicago or Washington, D.C.

Public protest is a way of life in San Francisco.  This is across from the cordoned off entrance to the Federal Reserve building.

Again, public protest is a common event.  However, this guy was angry, loud and semi-intelligible.  Even the locals were giving him wide berth.

This much vacant sidewalk at midday is a rarity.

At the very end of Greenbuild week, I found myself with no meetings or working meals.  I hopped the bus to find the Super7 Store.  The fact that it is located in Haight-Ashbury was a happy coincidence.  The food was great and cheap.  The stores were great for browsing and I was able to bring home some Super7 merch straight from the source!

Yeah, it was sunny all week while I was in the convention center (sigh).  This gives a little bit of the flavor of the area.

One of the cool specialty stores.  Well, cool if you enjoy irony.  They even had an Underwood 3-bank portable for sale!

But the main reason I took the bus to Haight-Asbury is the one and only Super 7 Store!  Imagine, a store full of giant robot, Star Wars, giant monster and urban vinyl paraphernalia.  Nerd heaven!

Unexpected bonus:  the first Kid Robot store was just up the street!

And with one last awesome storefront, we shall bid the fair city of San Francisco adieu.

 Hmmm...let us see if I can think of something creatively snarky to say about my Copyright to the text and images contained herein this little blog of mine.  Well, I own it all!  Bwa, ha, ha.  Yes, so greedy of me in this open-source world; but that is just the way it is.  Images may be used for non-commercial purposes with attribution pointing back to this blog or to my Picasa collection.  They may not be utilized for commercial purposes without express permission from the owner - that being Dwayne F.  I know:  that which can be published digitally can be hacked.  Go ahead.  Just see what happens.  I happen to have a fleet of giant robots and monsters at my command.  Remember what happened to poor San Francisco in my last post.  I repeat:  bwa, ha, ha.